AugustIn the early 1990s Collier Schorr began working on and off in Southern Germany, compiling a documentary and fictional portrait of a small town inhabited by historical apparitions. Combining the overlapping roles of war photographer, traveling portraitist, anthropologist, and family historian, Schorr tells the interwoven stories of a place and time determined by memory, nationalism, war, emigration, and family. August employs Polaroids made by Schorr

Simokaitis and his wife found that they had assumed the role of subjective interpreters of the visible world – the descriptions of their surroundings

without concern for cohesion or retrospection

these images reveal a photographer at the height of his career

Schuman invites us to explore an Italy as much of the mind as of the world: one soaked in the euphoria and terror

She portrays the girls as fearless and free

squares and suburbs in his adoptive town of Modena and built a body of early work which contains within it signposts to many of the directions his practice would subsequently take

printed back-to-back on the same sheets of paper

Why People Photograph gathers a selection of essays by the great master photographer Robert Adams

while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing

Following friends and family in the country

I took the RR subway into Bay Ridge

and literally hundreds of exhibitions mounted around the world during the past three decades